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Piet Mondrian
Dutch 1872-1944 Piet Mondrian Location was a Dutch painter. He was an important contributor to the De Stijl art movement and group, which was founded by Theo van Doesburg. He evolved a non-representational form which he termed Neo-Plasticism. This consisted of a grid of vertical and horizontal black lines and the use of the three primary colours. When 47-year-old Piet Mondrian left his artistically conservative native Holland for unfettered Paris for the second and last time in 1919, he set about at once to make his studio a nurturing environment for paintings he had in mind that would increasingly express the principles of Neo-Plasticism about which he had been writing for two years. To hide the studio's structural flaws quickly and inexpensively, he tacked up large rectangular placards, each in a single color or neutral hue. Smaller colored paper squares and rectangles, composed together, accented the walls. Then came an intense period of painting. Then again he addressed the walls, repositioning the colored cutouts, adding to their number, altering the dynamics of color and space, producing new tensions and equilibrium. Before long, he had established a creative schedule in which a period of painting took turns with a period of experimentally regrouping the smaller papers on the walls, a process that directly fed the next period of painting. It was a pattern he followed for the rest of his life, through wartime moves from Paris to London??s Hampstead in 1938 and 1940, across the Atlantic to Manhattan. At 71 in the fall of 1943, Mondrian moved into his second and final New York studio at 15 East 59th Street, and set about again to create the environment he had learned over the years was most congenial to his modest way of life and most stimulating to his art. He painted the high walls the same off-white he used on his easel and on the seats, tables and storage cases he designed and fashioned meticulously from discarded orange and apple-crates. He glossed the top of a white metal stool in the same brilliant primary red he applied to the cardboard sheath he made for the radio-phonograph that spilled forth his beloved jazz from well-traveled records, Visitors to this last studio seldom saw more than one or two new canvases, but found, often to their astonishment, that eight large compositions of colored bits of paper he had tacked and re-tacked to the walls in ever-changing relationships constituted together an environment that, paradoxically and simultaneously, was both kinetic and serene, stimulating and restful. It was the best space, Mondrian said, that he had ever inhabited. Tragically, he was there for only a few months: he died of pneumonia in February 1944.

 

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Piet Mondrian Broadway Boogie Woogie oil painting

Painting ID::  34046

X 
 

Piet Mondrian
Broadway Boogie Woogie
mk87 1942/43 Oil on canvas 127x127cm New York,The Museum of Madern Art
   
   
     

 

 

Piet Mondrian Oval Compositon oil painting

Painting ID::  34081

X 
 

Piet Mondrian
Oval Compositon
mk87 1913 Oil on canva 94x78cm Amsterdam,Stedelijk Museum
   
   
     

 

 

Piet Mondrian Composition NO.ii Composition with Blue and Red oil painting

Painting ID::  34082

X 
 

Piet Mondrian
Composition NO.ii Composition with Blue and Red
mk87 1929 Oil on canvas 40.5x32cm New York The Museum of Modern Art
   
   
     

 

 

Piet Mondrian Portrait Adele Bloch Bauer oil painting

Painting ID::  34317

X 
 

Piet Mondrian
Portrait Adele Bloch Bauer
mk92 1907 138x138cm Wien,Osterreichische Galerie
   
   
     

 

 

Piet Mondrian Composition Vii oil painting

Painting ID::  42814

X 
 

Piet Mondrian
Composition Vii
MK169 1913 Cloth 104.5x113.7cm Solomon R. Guggenheim Museum, New York
   
   
     

 

 

Piet Mondrian Red tree oil painting

Painting ID::  50206

X 
 

Piet Mondrian
Red tree
mk209 1908 28x39
   
   
     

 

 

Piet Mondrian Eucalyptus tree oil painting

Painting ID::  50207

X 
 

Piet Mondrian
Eucalyptus tree
mk209 1910 20x15
   
   
     

 

 

Piet Mondrian Composition NO.XVI oil painting

Painting ID::  50208

X 
 

Piet Mondrian
Composition NO.XVI
mk209 1912/13 33x29
   
   
     

 

 

Piet Mondrian Composition with red,yellow and blue oil painting

Painting ID::  52746

X 
 

Piet Mondrian
Composition with red,yellow and blue
mk223 oil on canvas
   
   
     

 

 

Piet Mondrian Trees at the edge of Gaiyin river oil painting

Painting ID::  53055

X 
 

Piet Mondrian
Trees at the edge of Gaiyin river
mk226 Oil on canvas 25x32cm
   
   
     

 

 

Piet Mondrian The still life with plaster oil painting

Painting ID::  53056

X 
 

Piet Mondrian
The still life with plaster
mk226 oil on canvas 73.5x61.5cm
   
   
     

 

 

Piet Mondrian Self-Portrait oil painting

Painting ID::  53057

X 
 

Piet Mondrian
Self-Portrait
mk225 Oil on canvas 50.5x39.5cm
   
   
     

 

 

Piet Mondrian Farmhouse oil painting

Painting ID::  53058

X 
 

Piet Mondrian
Farmhouse
mk226 Oil on canvas 28.5x36.5cm
   
   
     

 

 

Piet Mondrian The houses beside the poplar trees oil painting

Painting ID::  53059

X 
 

Piet Mondrian
The houses beside the poplar trees
mk226 40x31.5cm
   
   
     

 

 

Piet Mondrian The Rope in front of the farmhouse oil painting

Painting ID::  53060

X 
 

Piet Mondrian
The Rope in front of the farmhouse
mk226 Oil on canvas 31.5x37.5cm
   
   
     

 

 

Piet Mondrian The houses on the Liyin river oil painting

Painting ID::  53061

X 
 

Piet Mondrian
The houses on the Liyin river
mk226 30x38cm 1900
   
   
     

 

 

Piet Mondrian The Windmill at the edge of water oil painting

Painting ID::  53062

X 
 

Piet Mondrian
The Windmill at the edge of water
mk226 30x38cm 1900-1904
   
   
     

 

 

Piet Mondrian Factory oil painting

Painting ID::  53063

X 
 

Piet Mondrian
Factory
mk226 35x48cm 1900
   
   
     

 

 

Piet Mondrian Houses oil painting

Painting ID::  53064

X 
 

Piet Mondrian
Houses
mk226 Oil on board
   
   
     

 

 

Piet Mondrian Landscape oil painting

Painting ID::  53065

X 
 

Piet Mondrian
Landscape
mk226 Oil on canvas 63.5x76cm 1902-1903
   
   
     

 

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Piet Mondrian
Dutch 1872-1944 Piet Mondrian Location was a Dutch painter. He was an important contributor to the De Stijl art movement and group, which was founded by Theo van Doesburg. He evolved a non-representational form which he termed Neo-Plasticism. This consisted of a grid of vertical and horizontal black lines and the use of the three primary colours. When 47-year-old Piet Mondrian left his artistically conservative native Holland for unfettered Paris for the second and last time in 1919, he set about at once to make his studio a nurturing environment for paintings he had in mind that would increasingly express the principles of Neo-Plasticism about which he had been writing for two years. To hide the studio's structural flaws quickly and inexpensively, he tacked up large rectangular placards, each in a single color or neutral hue. Smaller colored paper squares and rectangles, composed together, accented the walls. Then came an intense period of painting. Then again he addressed the walls, repositioning the colored cutouts, adding to their number, altering the dynamics of color and space, producing new tensions and equilibrium. Before long, he had established a creative schedule in which a period of painting took turns with a period of experimentally regrouping the smaller papers on the walls, a process that directly fed the next period of painting. It was a pattern he followed for the rest of his life, through wartime moves from Paris to London??s Hampstead in 1938 and 1940, across the Atlantic to Manhattan. At 71 in the fall of 1943, Mondrian moved into his second and final New York studio at 15 East 59th Street, and set about again to create the environment he had learned over the years was most congenial to his modest way of life and most stimulating to his art. He painted the high walls the same off-white he used on his easel and on the seats, tables and storage cases he designed and fashioned meticulously from discarded orange and apple-crates. He glossed the top of a white metal stool in the same brilliant primary red he applied to the cardboard sheath he made for the radio-phonograph that spilled forth his beloved jazz from well-traveled records, Visitors to this last studio seldom saw more than one or two new canvases, but found, often to their astonishment, that eight large compositions of colored bits of paper he had tacked and re-tacked to the walls in ever-changing relationships constituted together an environment that, paradoxically and simultaneously, was both kinetic and serene, stimulating and restful. It was the best space, Mondrian said, that he had ever inhabited. Tragically, he was there for only a few months: he died of pneumonia in February 1944.